Performance
Assessment in Theatre Student
learning of the Theatre TEKS may be demonstrated in multiple
ways, including presentations and video or audio logs
of works-in-progress. Though educators often think the primary
purpose of assessment is grading, a thorough assessment plan
can facilitate learning in many ways:
- Aiding
in planning, indicating when to reteach and when to move
ahead
- Developing
a base of evidence documenting student achievement
- Providing
tools for student self-assessment
- Providing
tools for evaluating overall teaching performance.
The
following table shows performance assessment formats appropriate
for documenting achievement of the Theatre TEKS. The first
column is appropriate for grades K6 while the formats
in both columns are appropriate for grades 712. Teachers
should bear in mind that the use of multiple assessments
will provide more comprehensive information on student achievement
than any one type of assessment alone.
| Performance
Assessment Formats for K6 |
Additional
Performance Assessment Formats for Grades 712 |
- Observation
- Inquiry
- Class discussion/group
critique
- Interview
- Demonstration
- Journals/logs
- Self-assessment
- Checklist/rating form
- Audio/video recording
- Projects
- Oral critique
- Written critique
|
- Oral test
- Written test
- Oral research report
- Written research report
- Critique by experts
- Performances/productions
|
Whatever
assessment tools are selected, theatre teachers should align
their assessment practices with the following principles:
- Assessments
that provide information on a variety of dimensions of student
theatre processes most likely use multiple sources of information.
- Teachers
continually monitor students creative processes, providing
formative evaluations so students learn self-assessment
and learn to explain their thinking processes in the creation
of creative drama or theatrical presentations.
- Students
are assessed only on content or skills that they have had
an opportunity to learn.
- Criteria
for satisfactory performance are made explicit before students
begin a new task, and students themselves often participate
in generating the criteria.
- The
teacher communicates student achievement clearly to students
themselves, parents, and other professionals before students
begin a new task, and students themselves often participate
in generating the criteria.
- The
teacher communicates student achievement clearly to students
themselves, parents, and other professionals .
- Targeted
feedback is
much more helpful in improving theatre productions than
non-specific praise.
- Evaluation
is more than the grading of a finished product; it also
includes student self-evaluation.
-
Students themselves often participate in generating the
criteria before students begin a new task,.
- The
teacher communicates student achievement clearly to students
themselves, parents, and other professionals .
- Targeted
feedback is
much more helpful in improving theatre productions than
nonspecific praise.
- Evaluation
is more than the grading of a finished product; it also
includes student self-evaluation.
- Theatre
teachers provide descriptive evaluation, supplementing numerical
or alphabetical grading systems when possible.
Rubrics
A
rubric is a tool for helping teachers implement effective
assessment of student learning. Rubrics communicate a clear
continuum of performance levels, providing teachers with a
systematic way of analyzing student work and helping students
learn to critique their knowledge and skills and to assess
their growth. Though rubrics can take many forms, they are
often shown in a table with dimensions of the work listed
on one axis and levels of performance on the other.
The
first step in developing a rubric is to determine the critical
dimensions of the performance or project that
will be assessed. As shown in the example, these dimensions
are placed in the far left-hand column of a table. Next, decide
on the number of performance levels to be delineated. This
number determines the total number of remaining columns in
the table.
Now,
describe the differences among performances along each continuum.
This is easiest if a sample of performances is available.
Samples can be grouped by level of knowledge and skill demonstrated,
and common characteristics described. Without samples, teachers
make their best predictions. Involving students in this process
can create a great deal of "buy-in" on the part
of learners. Students can provide descriptions of successful
and unsuccessful performances, describing the skills and knowledge
portrayed in sample performances. Once a rubric has been used,
it should be revised for future use. Teachers should also
retain sample performances that illustrate desirable demonstrations
of knowledge and skill. Using multiple samples of strong performances
shows learners that there are multiple ways to demonstrate
high standards.
Some
characteristics of effective scoring rubrics include:
- A
scale based on criteria that reflects the knowledge and
skills assessed by the task
- Specific
information about learning that helps the teacher make instructional
decisions and communicates to students what they have learned
and what they still need to learn
- Clear
and easy to understand descriptors
- Ease
of use
- Examples
of student performances
- Reliable
scores (i.e., ratings of various scorers are fairly consistent).
Teachers
who have not used a rubric before will likely experience a
steep learning curve. The development and use of rubrics will
become more efficient and effective over time. Here are some
cautions for first-time users:
- Dont
expect to get the rubric exactly right the first time. Like
all assessment tools, a rubric must be field tested and
adjusted based on actual use.
- The
rubric is not a checklist. The rubric provides a guide to
analyzing the total performance or project.
- A
student performance or project may not fall neatly into
one level. It may have characteristics of more than one
level of performance. In this model of scoring, the score
assigned should be the level that most closely resembles
the performance.
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